1. Goofing around after wrap on Monday.

    May 2013

     


  2. carmenanicia asked: Regarding you writing posts, I personally love to see what other photographers go through, that it's not only me that has struggles with being a photographer and such. I like to read peoples processes, it motivates and inspirers me, sometimes gives me a push to create work. I also want to say that I really enjoy your work!

    Well hey there,

    YES! I think that spirit of like minded people struggling and striving and failing and occasionally succeeding is really important for artists. Or at least, it’s really important to me. I’m always trying to figure people out and deconstruct how people work. I grew up in Alabama. While it has a wonderful artistic spirit in its own way, but a strong communal aspect has never been one of its strengths. Most artists in Alabama (and I’m speaking about all kinds of art  - music, painting, film, etc.) have a streak of outsider in them, and it shows through in their voices. Lots and lots of people learning and creating in isolation.

    When I first started becoming interested in photography about two years ago, I remember feeling so overwhelmed by it. I liked it, but I didn’t really know anyone else doing it. I couldn’t figure it out. I didn’t know who to talk to or even what to ask. So I turned to the internet. I’d spend all kinds of crazy hours in college on the internet jumping from one link to the next and really just getting lost in the things that were piquing my interest. Obviously, this shaped my taste, but it also made reverse engineering a really huge part of the way I worked. Looking at photos or other pieces of art, and trying to figure out and deconstruct what my attraction (artistically and technically) to them was. It’s a fun detective game to work backwards. Occasionally you’ll figure out that tricky light set up you were trying to emulate, but the best stuff happens when you can’t figure it out and accidentally do your own thing.

    When I was painting a lot more actively, this was always important to me too. I’d run my hands lightly over the surfaces of paintings in my house or at festivals to feel the texture. I’d look for clues in the little brush marks left behind in the dried paint. So there’s this huge curiosity aspect to some a lot of the techniques I’m trying, but then there’s also this mood that comes through even when you’re trying all these different things to learn and grow. That part is really exciting when you start to see your own little thumbprint appearing across all this work, and you’re sort of like, “Hey, this is all starting to feel like ‘me’…” That’s a pretty cool feeling when you realize you can’t really filter out the “You-ness”. It can give you a lot of confidence to start trying even more things.

    I wouldn’t really say I have a process. People close to me *might* say that I need the pressure. I need to go a little bit crazy, and then somehow end up pulling the shoot out of my butt at the last second. Not a very sexy process though is it? I’ll give you an example. Earlier this week, I had a shoot. I’d just come off a really long week, and truthfully I was a little burned and demotivated about the shoot. It’s the night before, and I’m feeling a little underprepared. I’m also exhausted though, and I decided some sleep might be better than pulling an all nighter stressing about it. So I went to sleep that night, and I had nightmares all night about my lack of prep, specifically about not having the gear I needed to pull it off. Shaken up by the bad dreams, I got up early and made a 2 hour trip that morning to rent the lights that I needed. In the end, it was totally worth it, and I don’t know how I would’ve pulled it off without them. My point is, for me, that stress is part of what helps. I like the pressure. Well actually I hate it, but y’all know what I mean.

    You know, I really have no idea where I was going with that. I slept in my car behind a gas station last night so I may not be extremely lucid. Anyways…

    Yeah, struggles are great. I struggle all the time. It’s a constant struggle, and I really think to be successful you just have to mentally accept that. I’m 22 and already getting gray hair. There are a lot of mistakes to be made, but you can’t be afraid to make them. Success or even change is something I really only ever notice in hind sight. It’s been a bat-shit crazy year for me, but I’m really only realizing it now. Keep your eyes forward, and keep moving even when it looks tough. Be sure to pause every once in a while and look back on what just happened. Growth and progress are very sneaky.

    Thanks for checking out the work!

     

  3. Check out the full molecular gastronomy gallery here

     

  4. My good friend, Blake Hartley, is a serious beast in the kitchen. I got to hang out with him Monday while he gave me a crash course in molecular gastronomy a.k.a food reconstruction.

    It was a really awesome day, and I couldn’t be happier with the results. I’m posting a small gallery of the images on my site so check them out here

     


  5. Writing

    I’ve been thinking about doing a little more writing with some of these posts, but maybe you’re like, “Just shut up and post the pictures you stupid jerk”

    I don’t know though…

    I’ve always loved reading what other photographers have to say about life and working (or not working). So if you’re into that sort of thing, let me know, and I’ll do my best to be funny and occasionally insightful.

     

  6. Another outtake from this week’s story.

    I’ve got another story on deck tomorrow and an exciting ad job next week.

    May 2013

     

  7. Black & white outtakes from Monday’s shoot.


    If my job was to photograph this guy everyday from 9-5 til the end of time, I’m pretty sure I’d be down with that.

    May 2013

     

  8. (Source: noarchitect)

     

  9. Outtakes for a new story…

    Yesterday, this man drove me around in a Bentley and then gave me a beer for working so hard.

    Sometimes there’s nothing to complain about.

     

  10. Marcus

    November 2012

     

  11. Props to Gab for pointing out the pretty things going on here. Check out her beautiful photo of the same moment here.

    Helena at Martha’s Vineyard

    April 2013

     

  12. yesterday

    May 2013

     

  13. NY —-> AL via 4 wheels. This was somewhere in Virginia

    April 2013

     

  14. May 2013

     

  15. UPDATE: Hey guess what? We found out late last week that our spec commercial for Everlast was selected as a winner of the 2013 PDN Photo Annual. Annnnndd…I’m all like wuuuuuut.

    In all seriousness, this time last year I was a 21 year old dummy sitting in a Math 110 wondering what was going to happen when I graduated from college. A lot has changed since then. I’m now a 22 year old dummy who still doesn’t know what happens after college, but at least I can tack PDN onto the front of that.

    So I may not know much, but what I do know is that good things won’t happen on accident. Good things happen when you try, and even then they still don’t always happen. So try some more. Rinse and repeat. I’m  incredibly proud of the group that made this happen. Co-directed with Marcus Tortorici and Miller Mobley. I also can’t say enough about our collaboration with Khalid Mohtaseb, Joe Sciacca, Salomon Ligthelm, and Variable.


    I did a full write up on the pretty wild story of how this thing went down. If you like long stories about scrappy underdogs, you can give it a read here.